The FUTURE is BIG - HIGH-PERFORMANCE CINE LENSES
The movement towards larger format sensors is still in progress. Early examples include RED Weapon 6K and 8K, Sony A7 or ARRI‘s new ALEXA65. Larger sensors deliver the film-look and an interesting bokeh due to their very shallow depth of field. These new cameras require lenses that can cover the larger sensor sizes.
With the RAPTOR lens family IB/E OPTICS offers a new macro lens set with 4 focal lengths 60 mm, 100 mm, 150 mm and 180 mm,
The RAPTOR lenses offer large format sensor coverage (ø 50mm), 1:1 magnification, T-Stop 2.9 and robust, professional cine mechanics.
Features:
Raptor APO Cine Macro 60mm PL Mount, meter or feet
Raptor APO Cine Macro 100mm PL Mount, meter or feet
Raptor APO Cine Macro 150mm PL Mount, meter or feet
Raptor APO Cine Macro 180mm PL Mount, meter or feet
Technical Specifications | 60mm | 100mm | 150mm | 180mm |
Magnification | 1:1 | 1:1 | 1:1 | 1:1 |
Aperture | T 2.9 – T 22 | T 2.9 – T 22 | T 2.9 – T 22 | T 2.9 – T 22 |
Max. Aperture infinity / near | T 2.9 – T 5.3 | T 2.9 – T 5.3 | T 2.9 – T 5.3 | T 2.9 – T 5.3 |
Close Focus | 19 cm / 7.5 ” | 31.2 cm / 12.2 ” | 38.0 cm / 15.0 ” | 47.0 cm / 18.5 ” |
Min. Working Distance | 3.2 cm / 1.26 ” | 11.5 cm / 4.5 ” | 18.3 cm / 7.2 ” | 21.8 cm / 8.6 ” |
Focus Rotation | 320° | 320° | 320° | 320° |
Iris Rotation | 60° | 60° | 60° | 60° |
No. of Iris Leaves | 9 | 9 | 9 | 9 |
Max. Image Diameter ∅ (PL Mount) | 50 mm / 1.97 ” | 50 mm / 1.97 ” | 50 mm / 1.97 ” | 50 mm / 1.97 ” |
Mount | PL UMS | PL UMS | PL UMS | PL UMS |
Length (Flange to Front) | 106 mm / 4,2 " | 145 mm / 5.7 ” | 145 mm / 5.7 ” | 200 mm / 7.9 ” |
Front Diameter | 95 mm / 3.7 ” | 95 mm / 3.7 ” | 95 mm / 3.7 ” | 95 mm / 3.7 ” |
Weight | 1.15 kg / 2.54 " | 1.55 kg / 3.42 lbs | 1.76 kg / 3.88 lbs | 2.48 kg / 5.47 lbs |
The movement toward larger format sensors is in progress and the number of large format cameras available keeps growing and includes the ALEXA LF, ALEXA 65, Sony VENICE, RED MONSTRO 8K VV, Panavision Millennium DXL2 and others. Larger sensors deliver a film-style look with interesting bokeh due to their very shallow depth of field and require lenses that can cover the complete area. Our RAPTOR Large Format Prime Lens Set is up to the task.
Due to our success with the Raptor Macros, we wanted to introduce our razer-sharp but also artistic look with creamy bokeh to the world of prime lenses.
Features:
Raptor Cine Prime 40mm - meter or feet
Raptor Cine Prime 80mm - meter
Technical Specifications | 40mm | 80mm |
Aperture | T2.4 - T22 | T2.4 - T22 |
Close Focus | 45,0cm / 1'8" | 66cm / 2'2" |
Min. Working Distance | 28,6cm / 11,26" | 49,2cm / 11'50" |
Focus Rotation | 320° | 320° |
Iris Rotation | 60° | 60° |
No. of Iris Leaves | 14 | 14 |
Max. Image Diameter ∅ (PL Mount) | 50mm / 1,97" | 50mm / 1,97" |
Mount | PL UMS | PL UMS |
Length (Flange to Front) | 112mm / 4,4" | 112mm / 4,4" |
Front Diameter | 95mm / 3,74" | 95mm / 3,74" |
Weight | 1,25kg / 2,76lbs | 1,05kg / 2,31lbs |
The LPLx2 VV Optical Extender doubles the focal length of Vista Vision Format LPL mount lenses.
It’s compact optical and mechanical design makes it compatible with a wide range of lenses. High-index, low-dispersion glass ensures the highest possible resolution and contrast with minimal optical degradation. The extender transmits light over four times the area with a decrease in brightness by two f-stops and has a recommended maximum input T-stop of 1.9. The LPLx2 VV mounts directly to native LPL mount lenses and cameras.
Technical data:
The PLx2 VV optical extender doubles the focal length of Vista Vision Format PL mount lenses. The extender is the sequel to our successful PLx2 adapter. Thanks to its compact optical and mechanical design, the PLx2 VV is compatible with a wide range of lenses.
The PLx2 VV features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. In doubling the image size, the transmitted light is spread over 4 times the area, decreasing the brightness by two f-stops. To create an optical design that is optimized for modern lenses and digital cameras, the maximum input T-Stop is 1.9.
The PLx2 VV is designed to mount to any digital cinema camera with a native PL mount. The UMS Mount System makes it easy to change the mount to Canon EF, Sony E or others without re-shimming.
Technical Data:
The PLx1.4 Mark II has improved optical performance espe-cially at higher T-Stops. It extends the focal length of S35 PL mount lenses by a factor of 1.4, losing only one stop of light. The recommended max. input T-Stop is 1.6.The extender features high-index, low-dispersion glass to en-sure the highest possible resolution and contrast with mini-mal optical degradation. The optical design is optimized for digital cameras with telecentric ray path at the sensor. Compatibility is achieved with a deep-set optical assembly that accepts lenses with deep protruding rear elements. The PLx1.4 Mark II is also designed to mount to any digital cine-ma camera with a native PL mount. The UMS Mount System makes it easy to change the mount to Canon EF, Sony E, MFT or others without re-shimming.
Technical data:
The PLx1.6VV is the follow-up model to the S35xFF and increases the focal length by a factor of 1.66x. It allows the use of S35 lenses on large-format cameras up to 46.5 mm sensor diameter and supports a maximum aperture of T-Stop 2.0. The PLx1.6VV is characterized by a robust and durable mechanical design with stainless steel PL mounts and anodized aluminium as well as decorative surface outside and flair minimized surfaces inside.
Please Note: The PLx1.6VV is incompatible with mirror cameras but can be used with most S35 PL lenses.
The PLx2 Extender by IB/E Optics is compatible with a wide range of PL-mount lenses and cameras.
Modern cameras require the highest quality optics with designs optimized for electronic sensors. The PLx2 is an optical extender that doubles the focal length of 35mm PL-mount lenses. The PLx2 features high-index, low-dispersion glass to ensure the highest possible resolution and contrast with minimal optical degradation. The optical design is optimized for digital cameras, which work best with highly telecentric lenses.
While most extenders can only physically fit on a limited range of lenses, the design of the PLx2 allows it to accommodate the widest array of PL-mount lenses of any doubler. Compatibility is achieved with a deep-set optical assembly that accepts lenses with deep protruding rear elements. The PLx2 is also designed to mount to any digital cinema camera with a native PL-mount. It will also clear the spinning mirror on Arri and Aaton 35mm cameras. Optically, the PLx2 projects an image with a diameter large enough to cover all commonly used 35mm formats, including 5K on Red Epic and the full 4:3 frame of ALEXA. Minimum image circle projection is 32mm. Maximum input aperture is F1.8.
The PLx2 is compatible with the following lenses:
Primes
Zooms
Anamorphotic Lenses
IB/E Universal Mounting System (UMS) allows the reassembly to any mount out there either PL or Canon EF, Sony NEX E, Sony FZ and MFT mount without reshiming needs! Nikon F Mount can NOT be used with the PLx1.4!
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